二十世纪八十年代，法国总统密特朗一心改变巴黎风景线以标志时代新貌，举办了新凯旋门建筑设计比赛，得奖者是不闻经传的丹麦建筑师史普雷克尔森。当大家以至本尊都以为他大器晚成，终有机会实践理想，一展抱负时，在计划前路等着的却是无尽的官僚习气、人性陷井与政治妥协。也许放弃太容易，坚持反需勇气，但原来人生真的会来到某一步，不得不放手以保持真我。史提芬迪莫斯提亚以最平实的手法解读建筑黑历史，乃悟拱木敛魂，叹息总来得太迟。

讲述了一个叫做木心的中国艺术家的故事。他是一名画家、一名作家，以及——如同他信服了30年的尼采一样——一位精神上的“希腊人”。

1994年6月6日，木心飞抵伦敦。木心定居纽约24年，英国之行，是他唯一一次飞越大西洋彼岸的远游。《英伦夜谭》是他第一次尝试纪实散文，未完成，为纪念木心先生逝世六周年，木心美术馆首度对读者发布。英伦之行纪录片《木心在英国》由陈丹青以手提录像机拍摄，谢梦茜剪辑。

Style是以描述时尚界的华丽职业的世界中隐藏的人类欲望的同名小说为原著,述说主角们的工作和爱情,服装界的激烈竞争,公司内权力关系等

沈念前世因无条件溺爱侄子，饱尝家人冷漠与伤害，最终悲惨离世。重获新生，她誓要改变命运。这一世，她决定收起无原则的溺爱，对侄子的行为放任自流，不再让自己重蹈覆辙。她要活出自我，守护自己的幸福，不再让任何人轻易伤害到自己。

Julian inherits a house in West Philadelphia from his grandmother and asks his girlfriend Gwen to move in, although she turns out to be just the first member of the commune that sets up home with him within its brightly coloured walls. Together with the founding couple, the seven-strong collective are soon reciting African-American poetry, reading post-colonial theory, holding seminars on Sudanese languages and enjoying jazz-inflected jam sessions, with the chest of materials on the wider Black experience apparently left behind by the grandmother proving perfect inspiration to this end. With the prominent poster of Godard’s La chinoise hanging in the kitchen, it’s tempting to read their funkily cerebral exploits as pure fiction, yet they’re actually a reenactment of Asili’s own experiences in a Marxist commune. Real life informs the fiction elsewhere too, as members of the MOVE Organization come to speak at the house, the camera alights on significant sites for the Black community outside in the Philadelphia streets and the inevitable petty arguments about house rules rear their head. And maybe that’s the point: theory rubs up against practice and sparks duly fly.

没有纲领，无法生活。”这是木心先生最后的遗言，在他最后的清醒时刻，“犹叹壮志未酬”。“我曾见的生命，都只是行过，无所谓完成。”我们每个人的余生，都將在未完成的路上继续行走，各自觉悟。适逢木心先生八十八周年诞辰，谨以此片追忆先生，并向陈丹青先生致以深深的敬意。 　　附文： 　　创作阐述http://weibo.com/p/1001603788735262100669 　　纪录片试映会及读者沙龙实录http://weibo.com/p/1001603809875426692710 　　微信公众号：南艺电影馆Cinematheque

テレビ朝日初の本格シットコムとなる本作は、さびれた温泉旅館・虹の屋の玄関とロビー、従業員室、大浴場の入口、エレベーターという限られた空間で繰り広げられる群像劇。主人公は虹の屋の3代目である父親に反発し家を飛び出すも、うだつの上がらない日々を送っていた柿丘哲郎だ。劇中では哲郎が実家の窮地を救うため10年ぶりの帰宅を果たすも、虹の屋は100年の伝統を誇る老舗旅館の品格やサービスが完全に消え失せ、一筋縄ではいかない従業員の吹き溜まりと化していた。

CINEMATOGRAPHER STYLE is about the Art and Craft of Cinematography. It is about how everything, from life experiences to technology, influences and shapes an individual's visual style. Because of the powerful impact that the visual style of a movie can have, this documentary may offer contemporaries valuable insights into the dramatic choices Cinematographers make. And, it is expected that the material will have significant historic value as well.